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The test quickly goes awry when the Enterprise speeds up, surpassing the known capabilities of warp engines. Jean-Luc Picard Patrick Stewart orders the ship stopped, and the crew find themselves on the far side of the M33 Galaxy more than 2. Although Kosinski is pleased with the results, Picard reprimands him and asks him to simply redo the process to return home. Crusher attempts to warn Riker that during the warp test, the Traveler appeared to "phase", drifting in and out of reality, but Riker dismisses him without listening.
However, after Kosinski begins the second test, Crusher and Riker both observe the Traveler again drifting out, appearing more tired.
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The Enterprise again experiences a burst of speed, and when it stops, the crew cannot determine their position. Picard demands that Kosinski get the crew home. While Kosinski, the Traveler and the engineering crew work on reversing the process, the rest of the crew begin experiencing lifelike visions of their past.
After having a vision of his mother Herta Ware , Picard surmises that they have arrived at the theoretical Outer Rim of the universe, and issues a red alert to awaken the crew from their visions. Riker suggests that Kosinski may have had nothing to do with the warp jumps, which were more likely to be a result of the Traveler's illness. Picard has the alien moved to sick bay , but Dr.
Crusher Gates McFadden cannot evaluate the Traveler's alien biology, and is unable to treat him. The Traveler explains that he has the ability to channel pure thought into reality, and brought the crew of the Enterprise to the Outer Rim, triggering similar effects in anyone within it to ascertain if they were ready to experience thought as reality. The Traveler confides to Picard that he looks for scientific prodigies such as the young Crusher, and suggests that Picard nurture him.
When he returns to the engineering section, the Traveler asks Crusher to assist him in returning the Enterprise to known space. As they concentrate, beginning to return the ship home, the Traveler again phases and finally disappears completely. The Enterprise suddenly stops, and the crew is relieved to find themselves back in Federation space. After the incident, Picard finally promotes Crusher to acting ensign following his own unspoken suggestion in " The Naked Now " on the Enterprise for his performance. Gene favored the story idea, suggesting changes which Reaves and Duane incorporated into a second draft.
The resolution of the plot involved imagining a duplicate miniature Enterprise , and the interaction between the black holes on the two ships' propulsion units. The script was given to Maurice Hurley to rewrite. Hurley later said, "they absolutely hated it, I think they wanted to fire me, and they would have if I didn't have a guaranteed contract". Hurley was pleased with the result, saying that "everything about that episode worked". We were lucky, because it was out of our hands". Donald Petrie was originally signed to direct the episode, but dropped out to direct the film Mystic Pizza.
Justman later said that this was one of his most significant achievements on The Next Generation. Eric Menyuk was cast as the Traveler. The actor had previously been runner-up for the role of Data several weeks earlier  the role went to Brent Spiner. Some effects in the episode were created in Robert Legato 's basement with water reflections and Christmas tree lights. The script was vague about what was seen at the end of the universe, so Legato played with the effects of water reflections on his basement wall.
Shooting through BoPET film, he created multiple images which were layered over one another for the final effect which Legato described as "peculiar and bizarre". The Klingon Targ was created by dressing a tamed wild boar named Emmy Lou in an outfit created by costume designer William Ware Theiss.
Executive producer Robert Justman later recalled, "That pig smelled horrid. A sweet-sour, extremely pungent odor. I showered and showered, and it took me a week to get rid of it! He also wore a pair of false three-fingered hands,  which were sold in the "It's A Wrap! In the piece "Talk with Mom" played during Picard's meeting with his mother , Jones tried to create an effect identical to the finale of Aaron Copland 's Appalachian Spring.
The score was recorded with a forty-piece orchestra. Jones formatted the orchestra to generate a bigger sound than normally heard on television soundtracks to make it sound more like Goldsmith's The Motion Picture score. Keyboards were used to make the cellos more prominent, and other changes included an increase in the mid-range of the string section.
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It received Nielsen ratings of This was the highest ratings received by the series since " The Naked Now " three episodes earlier. Several reviewers revisited the episode after the end of the series. Cast member Wil Wheaton later described the episode as "the first time The Next Generation really started to come together". Zack Handlen reviewed the episode for The A.
Club , saying that while it was an improvement on earlier episodes he had reservations about the use of Wesley Crusher. He called the "thoughts made flesh concept" a "cliche", but was "gratified to see the series actually trying for something a little beyond their reach, this early in the game".
From Wikipedia, the free encyclopedia. For the Star Trek quote, see Where no man has gone before. With the full weight of its network behind it, TNG got away with a lot of things that would have killed other shows stone-dead. This episode is a prime example of that.
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The crew lack agency in their situation, the ideas it presents are wholly unrelatable, and the story has virtually nothing resembling an emotional core. And yet, it works, if only because it tickles the part of you that wonders exactly what might be out there. Michael Reaves' Website.