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Thanks for telling us about the problem. Return to Book Page. Ian Frazier Introduction. Janet Malcolm's In the Freud Archives and The Journalist and the Murderer , as well as her books about Sylvia Plath and Gertrude Stein, are canonical in the realm of nonfiction—as is the title essay of this collection, with its forty-one "false st A National Book Critics Circle Finalist for Criticism A deeply Malcolmian volume on painters, photographers, writers, and critics. Janet Malcolm's In the Freud Archives and The Journalist and the Murderer , as well as her books about Sylvia Plath and Gertrude Stein, are canonical in the realm of nonfiction—as is the title essay of this collection, with its forty-one "false starts," or serial attempts to capture the essence of the painter David Salle, which becomes a dazzling portrait of an artist.
Malcolm is "among the most intellectually provocative of authors," writes David Lehman in The Boston Globe , "able to turn epiphanies of perception into explosions of insight. Her subjects are painters, photographers, writers, and critics. She explores Bloomsbury's obsessive desire to create things visual and literary; the "passionate collaborations" behind Edward Weston's nudes; and the character of the German art photographer Thomas Struth, who is "haunted by the Nazi past," yet whose photographs have "a lightness of spirit.
In "Salinger's Cigarettes," Malcolm writes that "the pettiness, vulgarity, banality, and vanity that few of us are free of, and thus can tolerate in others, are like ragweed for Salinger's helplessly uncontaminated heroes and heroines. Get A Copy. Hardcover , pages. More Details Original Title. Other Editions Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about Forty-One False Starts , please sign up. Has anyone out there read it? See 1 question about Forty-One False Starts…. Lists with This Book.
Community Reviews. Showing Rating details. More filters. Sort order. Sep 24, Trish rated it really liked it Shelves: art , nonfiction , skimmed , literature , essays , journalism. Now this is a different kettle of fish. Even the Introduction by fellow New Yorker writer Ian Frazier has insights that tweak our imaginations: when discussing her interview and subsequent piece about Thomas Struth [photographer of the Queen], Frazier tells us Ms.
Perhaps psychoanalysis is an absolute prerequisite at that level. That having been said, were one conversant with some of the figures she speaks of, this would be a delicious, gossipy, and yes, insightful read. Its beauty has a dark, forceful, willful character. But I think the world has changed now. No point in being sad about that. And Helen Garner has nothing to be embarrassed about in her own writing.
She is as clear as fast-flowing ice melt, and is bridging this changing world.
BBC News | TALKING POINT | Does life begin at 40?
View all 3 comments. Jun 02, Wendell rated it liked it. Malcolm turns out to be a spirited, articulate advocate for the much-maligned J. Malcolm and the New York Review of Books , where the review first appeared, struggle madly to turn obscurity into a virtue in this piece, but it doesn't really work. All that happens when the air gets that rarefied is that people are liable to start gasping for breath.
The meaning and origin of the expression: Life begins at forty
Malcolm is one of the last, great New Yorker writers left standing -- not to mention the patron saint of genuine investigative reporting -- and she's one of the finest prose stylists ever to work in American English. View 1 comment. Jul 08, WB1 rated it it was ok. The first sentence in Janet Malcolm's controverisal book, "The Journalist and the Murderer," is probably the most provocative line she's ever written.
The book was about the relationship between Jeffrey MacDonald, convicted of murdering his family, and Joe McGinnis, the writer who pretended to befriend him. The sentence is, "Every journalist who is not too stupid or too full of himself to notice what is going on knows that what he does is morally indefensible. To some degree, journalists and I'm one , know that Malcolm is right. The first essay in this book, about the artist, David Salle, was so annoying that I almost tossed the book aside.
Not so much because of what she says about Salle he's predictably vain, vulnerable, funny, scared and furious about two critics, Hilton Kramer and Robert Hughes who hated his work. If anything.. Malcolm seemed to spend months following him to his studio, to restaurants, parties, etc etc. The essay starts to revolve around Malcolm rather than Salle. And Malcolm is just not that interesting. But the longest essay in the book, "A Girl of the Zeitgeist," is about Ingrid Sischy, and her role as editor of Artforum. The essay runs on and on and on. By the end, you actually know more about some of the terrible artists featured in Artforum whom Malcolm clearly disdains than Sischy herself.
And, in the end, you know very, very little about Janet Malcolm. Except she has a certain smugness that's distasteful. View 2 comments.
May 10, Pamela rated it it was amazing. I reviewed this book over at The Millions clickable link.
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A quarter of the book is taken up with a long piece on ructions at an eighties New York art magazine, a subject on which I would struggle to give less of a toss. And yet, when it's all processed through the eye of Janet Malcolm, it becomes fascinating; a case study of the passing of cultural authority from education to money, a sketch for a novel by the WASP Iris Murdoch of an alternate universe, a typological prefiguration of the cable series about the Melody Maker which nobody will ever make.
Her questing intelligence reminds me of Montaigne, but where for all his curiosity he was always ultimately looking inwards, Malcolm needs to turn her gaze on the world. Indeed, the book ends with a fragment from an abandoned autobiography in which she confirms just that. It's a shame, of sorts; I am far more interested in her than in most of her subjects.
But so long as she keeps letting that analytical mind play, the subjects it finds don't really matter. Apr 25, Genevieve rated it it was ok Shelves: reviewed-nonfiction , reviewed , nonfiction. Some say the best-written reviews and critiques reveal something about the critic as much as the subject being reviewed. With that criteria, you would think Forty-one False Starts by Janet Malcolm would be brilliant, the writing being so self-absorbed. But all the other essays in the collection didn't really keep my attention. It could be my limited knowledge of the contemporary art world, which is Malcolm's area, and is a world itself that is self-absorbed and insular.
Sorry, this book wasn't for me, though I may not have been registering the writerly brilliance in its full form due to my lukewarm interest in the subject matter. Aug 13, Catherine rated it really liked it. Janet Malcolm takes the idea of "review" and "critique" to a different level. She truly is an original thinker and an incisive critic. I disagreed with almost everything she wrote in this collection, but, boy did she make me think. I was outraged, humbled, and enervated. I really want to have lunch with her.
Jun 27, Blaine Harper rated it it was ok. But I read those for class, so the interesting part of observing Malcolm's writing tics is over and done with. The title essay was so pretentious that I, even as member of the expected audience, felt alienated and bored. And I'm morally opposed to the writing of seven-page essays with two full pages' worth devoted to block quotes see The Woman Who Hated Women.
Mar 18, Sarah Yasin added it Shelves: chesterton. Malcolm makes good sentences. While enjoyable to read, some ideas in this volume are stuck in the past, which is a shame any time an intelligent writer lingers in the past salman rushde comes to mind. Specifically, when she differs with Chesterton, claiming there is no more pure white virtue since Hitler, only grey "decency.
May 26, Faith McLellan rated it really liked it Shelves: writers , nonfiction , art. Janet Malcolm is a genius. Her gifts are on full, and often chilling, display here. Full of erudition, razor-sharp judgments, icy observations. Learned and scary and admirable. Would not want to be on her bad side. Agree with other readers that the last two "chapters" are disastrous additions--are there any editors left? The chapter on Bloomsbury perhaps the best.
I have read this collection over a day or so and feel as if run over by a truck--in a good way. Jun 05, refgoddess rated it really liked it Shelves: to-finish. Excellent collection of essays on writers and artists. There's nothing earth-shaking in Malcolm's assessments, but I like her voice, and she shares enough new to me factoids to make it interesting. May 31, Vonetta rated it did not like it. I'm no longer a student, so I am not forced to read pretentious academic material that is in no way pleasurable. That said, I put the book down after the title essay and the one about Edith Wharton.
Life's too short to read books I don't like. Also, the fact that the author has her own adjective, "Malcolmian," is exhausting. Jul 20, Kristina Pasko rated it liked it. I don't think I could call Malcolm one of my favorite writers this is the first book of hers that I've read , and I don't really like her style humorless, matter-of-fact, a bit bland but it was a good exercise to see good literary and art criticism meant for popular consumption.
I particularly enjoyed the chapter about Vanessa Bell Virginia Woolf's sister.
10 Reasons Life Begins At 40
Jan 13, Blair rated it liked it. My interest waned in this a little towards the end and Malcolm's writing wasn't enough to get me absorbed in subjects I didn't have a pre-existing interest in. I enjoyed the essays on Bloomsbury and Salinger the most. May 07, Whitney rated it really liked it Shelves: non-fiction , essays. I got a little bored with a couple of these essays surprisingly, the one about Virginia Woolf and family but others especially those on artists and photographers were just brilliant. Oct 11, Jaclyn rated it it was amazing. This collection includes essays from She finds the extraordinariness in the person and the situation surrounding the person and strings together each fascinating element, as if knitting a garment that when completed is presented as a gift that no one wants to return.
I am not an insider in the art world and I had to look up all of the artists she profiled. But I never felt like an outsider while reading the essays. My googling was a resu This collection includes essays from At the time I could not believe what was happening and decided there and then that the world had gone mad. I started to write and record daily events as and when they happened.
It started off as something to amuse myself and keep me occupied during the long lock ups.
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I was very confused at the time and had not yet settled into the institution of prison. Again, I could not believe what I was reading. The way this officer spoke to me was one of anger and contempt; I was a piece of dirt, a scumbag, a nothing. I have done nothing to you? I soon discovered that to question any member of staff was indeed to challenge the whole ethos of the institution of prison.
For me, the only way I could challenge it was to record the madness and hope that some day I might get my experiences out there. Revenge being my first and only driving force.