WHAT HAVE I DONE? - Eight Short Comedy Plays

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In a fractured media landscape, where ratings have become less important, and more viewers are cutting cords, the industry must rely more on buzz to draw viewers to their content. Just look at the Oscars; 3 Because of a historic aversion to analysis comics say that it ruins the joke , comedy comparatively lacks a history of formal criticism, which leaves it more often judged by what it says than how it says it.

The shifts in content channels also directly affect the work comedians and comedy writers can try to make. The economy of selling comedic shows has completely changed. Sure, the big networks are still in the business of trying to make shows that reach a large mass of people; however, cable and streaming are incentivized to make things that generate critical buzz or have a niche but rabid fan base.

One can argue that these dramatic comedies are more often influenced by forms like film, theater, or novels; however, past generations of comedy writers were also influenced by those same things. But the number of specials Netflix greenlights , and the amount of money it spends on them, is slowly subverting the fundamental structure of stand-up comedy — transforming it from a live medium to a filmed one. Bo Burnham, as he told me in an interview for Good One , started planning his last special, the tremendously influential Make Happy , with an eye to how it would look filmed.

To take it a step further, like everything that came after the financial crisis of , the comedy boom that kicked into high gear a few months later is colored by a distrust of institutions. And for comedy, the institution is capital-C Comedy. While Hannah Gadsby is not American, Nanette became such a sensation here because it fit so perfectly with where things were going culturally. Really, this shift has been happening slowly since the dawn of modern comedy.

How to Win at Life - a short comedy play script by Don Zolidis – Stage Partners

And all along the way, people in comedy complained. These are the growing pains of an art form in transition.


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He saw a direct parallel with the late s, when comedians like Joey Bishop and Alan King complained about young comedians putting out albums. They vocally derided long stories, like the minute one Shelley Berman tells about his father on his album Outside Shelley Berman , for not having enough jokes. Maisel , who eschewed a rapid-fire, one-liner joke structure for something more in the moment and honest. Federman agreed that these debates were almost identical to the ones in the s, when alternative comedy was starting, with a focus on honesty and experimentation.

Suddenly, the Abbess enters with the Syracusan twins, and everyone begins to understand the confused events of the day. Not only are the two sets of twins reunited, but the Abbess reveals that she is Egeon's wife, Emilia of Babylon. The Duke pardons Egeon. All exit into the abbey to celebrate the reunification of the family. The play is a modernized adaptation of Menaechmi by Plautus. As William Warner's translation of the classical drama was entered into the Register of the Stationers Company on 10 June , published in , and dedicated to Lord Hunsdon , the patron of the Lord Chamberlain's Men , it has been supposed that Shakespeare might have seen the translation in manuscript before it was printed — though it is equally possible that he knew the play in the original Latin, as Plautus was part of the curriculum of grammar school students.

The play contains a topical reference to the wars of succession in France , which would fit any date from to Charles Whitworth argues that The Comedy of Errors was written "in the latter part of " on the basis of historical records and textual similarities with other plays Shakespeare wrote around this time. For centuries, scholars have found little thematic depth in The Comedy of Errors. The play was particularly notable in one respect. In the earlier eighteenth century, some critics followed the French critical standard of judging the quality of a play by its adherence to the classical unities , as specified by Aristotle in the fourth century BC.

The Comedy of Errors and The Tempest were the only two of Shakespeare's plays to comply with this standard. Law professor Eric Heinze, however, claims that particularly notable in the play is a series of social relationships, which is in crisis as it sheds its feudal forms and confronts the market forces of early modern Europe.

Two early performances of The Comedy of Errors are recorded. The second also took place on " Innocents' Day ", but ten years later: 28 December , at Court. Drury Lane mounted a production in , in which Charles Macklin played Dromio of Syracuse — in the same year as his famous breakthrough performance as Shylock.

The libretto , by Lorenzo da Ponte , follows the play's plot fairly closely, though some characters were renamed. Frederic Reynolds staged an operatic version in , with music by Henry Bishop supplemented with some songs by Mozart and Arne. Various other adaptations were performed down to when Samuel Phelps revived the Shakespearean original at Sadler's Wells Theatre.

A Blind Date – Short One Act Romantic Comedy (EB)

The play has been adapted as a musical at least three times, first as The Boys from Syracuse with a score by Richard Rodgers and Lorenz Hart , then in in a version by Trevor Nunn , scored by Guy Woolfenden , for the Royal Shakespeare Company , winning the Laurence Olivier Award for best musical on its transfer to the West End in , and in as Oh, Brother!

Vidyasagar's efforts were part of the process of championing Shakespeare and the Romantics during the Bengal Renaissance. The film Big Business is a modern take on A Comedy of Errors , with female twins instead of male. Bette Midler and Lily Tomlin star in the film as two sets of twins separated at birth, much like the characters in Shakespeare's play.

How Funny Does Comedy Need to Be?

It was a musical, loosely based on "Comedy of Errors". Cambridge University Press. See p.

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From Wikipedia, the free encyclopedia. This article is about Shakespeare's play. For other uses, see Comedy of errors disambiguation. The Comedy of Errors. Infobase Publishing. The New York Times. Retrieved 5 May Retrieved 15 May Marson, Janyce ed. Bloom's Literary Criticism. New York: Infobase. It is noteworthy that The Comedy of Errors and Shakespeare's last play, The Tempest , are the only two plays that strictly adhere to the classical unities.

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